End of 2007 the novel "Lucy Luder und der Mord im studiVZ" was
released as PDF for computers and mobile phones. In 2008 the Blackbetty
Mobilmedia GmbH in Vienna published the mobile phone novels "Lucy Luder
und der Mord im studiVZ" and "Lucy Luder und die Hand des Professors" -
previously the cosmoblonde GmbH in Berlin had also launched a trial
balloon - and early in 2009 the single novel "lonelyboy18" as well as
the first part of the series about Handygirl followed, and end of 2009
the second part of "Handygirl", in spring 2010 the third part. In
February 2011, "Lucy Luder und der Schrei des Muezzins" was published.
The
mobile phone novels are acquired on
several platforms and distributed with the help of premium text
message services and special shops in Germany, Austria and Switzerland
(new edition as of summer 2012).
Lucy Luder ("Luder" is the German word for hussy) is a law student 20
years of age, she lives in Berlin und opened a detective agency in her
flat share in the Charlottenburg district. Her flatmates Nadine and
Tina, who are also students, observe her activities with skepticism and
irony. Lucy always solves her cases unconventionally and not always
completely. She wanders through speeding times, sometimes slower,
sometimes faster than time itself. For her, notebook and internet are
not technologies but part of her natural environment.
Wikipedia articles - that have previously been corrected on the
platform where necessary - are integrated in the Lucy Luder series,
websites are quoted, links are created. One can speak of a medial
literature in various senses; the literature is appropriate for media
such as the mobile phone or the web, it makes use of digital media and
involves them. Typical for this series is a concise language, short
sentences and reduced dialogues. Nevertheless dialogues play an
important role and are used regularly. The language of the youth is not
imitated, only few jargon is employed. Lucy does not offer a projection
surface; she is not at the mercy of what is happening, she controls it.
The stories are told in the present tense, thus achieving a certain
kind of immediacy.
Handygirl ("Handy" is the German word for mobile phone) is an avatar
living on Liza's mobile phone. She reads out the text messages to her
and is jealous when Liza chats on her notebook. Liza is 14 and friends
with Kathi. Kathi already gained some experience with boys, Liza,
however, is an unknown quantity in this respect. Nobody suspected
Handygirl would become a superheroine one day, at least Handygirl
herself. But one day this is exactly what happens: Liza faces great
danger and gets terribly frightened, and that is when Handygirl exits
the mobile phone to save and console her. She becomes a superheroine,
but in front of all she becomes a human being; and for moments she
really lives.
Embedded in the texts about "Handygirl" are emoticons and ASCII art.
The mobile phone is thematized as companion and medium. We also deal
with medial literature, and the focus is clearly directed on the mobile
device - not at least because of title and plot. Again, a concise
language, short sentences and reduced dialogues are typical for
Handygirl. The text messages of the two girls are part of the
dialogues. The language of the youth is not imitated; strong language
is only used in the dialogues, if at all. The toughness of
everyday-life is not euphemized, thus creating a twist to the wondrous
as well as an appeal to childlike phantasy. The stories are told in the
present tense, thus achieving, in combination with the reduced
language, an enormous immediacy.
Lukas is 18 years of age. He has no friends and no girlfriend. Every
day he is standing in a corner of the schoolyard. Opposite of him in
another corner stands fat Herta. He wants his girlfriend to be the
exact opposite of her. He starts to blog under the alias lonelyboy18
and screams his late pubertal desires out into the world. One day a
girl answers, and she is exactly what he is looking for. Simultaneously
he becomes friends with Herta, discusses literature with her and his
attractive teacher, contemplates the past and the future with his
mother. At the surprising end he comes to decisions that change his
life.
"lonelyboy18" is - considered from a superficial point of view - more
of a conventional kind of book. However, important and structural
elements are the continuous blog entries by lonelyboy18 and catgirl14.
"lonelyboy18" is also a medial kind of literature, i.e. literature that
integrates and covers the media, and again a concise language and short
sentences are characteristical. The dialogues are very important; they
are mostly reduced, but sometimes they are quite extensive and turn
into monologues. Lukas' sexuality is described in an open as well as a
direct way; it is part of the initiation that is, in the end, the
central topic. Another topic are the possibilities of telling a story;
the narrator, a bird, keeps leaving the main, i.e. the personal
perspective. The story is told in the present tense, what is not only
important for immediacy, but also for telling something about telling a
story.